We now have many ways to tell the story of America’s tilt towards authoritarianism, but for your host one image sums up the whole sordid business: a mashup of Donald Trump and the Marvel comic book character The Punisher. In this episode we talk with Kent Worcester, author of a new cultural history of the Punisher. It’s a conversation about America’s fascination with, and attraction to, a black and white vision of justice and vengeance.
Intelligence scholar Hugh Wilford’s excellent new book grapples with the paradox at the heart of America’s covert intelligence agency. Many of the CIA’s founding fathers were staunch anti-imperialists, but during the Cold War, the US took up the mantle of Europe’s colonial projects.
Hugh Wilford’s book The CIA: an Imperial History is out now. Hugh Wilford has written numerous books about the CIA and Cold War intelligence history, he made two appearances in our recent Not All Propaganda is Art mini-series. Also the mini-series got a really nice write up in the New Yorker last month!
In the fall of 1958, Kenneth Tynan moved from London to New York and upon arrival, clashed with Hollywood mogul Samuel Goldwyn over socially engaged art and the politics of apolitical culture on live TV. At the same moment New Yorker writer Dwight Macdonald went West to report on “New” Hollywood’s ambitions to create commercially and artistically successful films. We also meet two of Professor Macdonald’s former students from a Mass Culture course he taught at Bard College in 1958. Meanwhile in France, Richard Wright suffers a number of disturbing attacks, prompting him to channel his frustrations into a revealing radio play.
Shownotes: Tamara Walker is the author of Beyond the Shores, Hugh Wilford wrote The Mighty Wurlitzer, Tom Benjamin and Frances Hodes were both students of Dwight Macdonald at Bard College in 1958 and Dan Sinclair is the author of Courteous Enemy.
Support ToE and get access to the incredible exclusive bonus companion series to Not All Propaganda is Art by subscribing at https://theoryofeverything.supercast.com/, or subscribe directly in Apple Podcasts by hitting “Subscribe” right on the show page.
In 1956, Richard Wright spoke of islands of free men at the first Congress of Black Writers and Artists in Paris. James Baldwin critiqued the event for Encounter, the CIA’s propaganda magazine. We take a close listen to the original recordings.
Shownotes: Merve Fejzula and Cedric Tolliver both wrote about the 1956 Congrès des écrivains et artistes noirs. Darryl Pinckney wrote on Norman Mailer and Denis Leroux wrote on Antoine Bonnemaison.
Support ToE and get access to the incredible exclusive bonus companion series to Not All Propaganda is Art by subscribing at https://theoryofeverything.supercast.com/, or subscribe directly in Apple Podcasts by hitting “Subscribe” right on the show page.
In 1956 London Theater critic Kenneth Tynan helped launch a youth movement committed to exposing social and political issues on stage, on screen and in literature. We take a close look at the operators and opportunists behind England’s Angry Young Men.
Shownotes: Michael Billington wrote for the Guardian, Celia Brayfield wrote Rebel Writers, Clare Bucknell wrote The Treasuries Laura Bradley writes on Brecht.
In 1956, New Yorker writer Dwight Macdonald joined Encounter, a magazine secretly backed by American and British security agencies. He arrived in London just as British Influencers turned a young Existentialist named Colin Wilson into England’s answer to Jean-Paul Sartre. Meanwhile, the CIA incited a youth rebellion in communist Hungary. We investigate the covert propaganda behind Operation Free Youth Action and Operation Anti-Sartre and the Outsider’s influence on Macdonald’s famous critique of Mass and Middlebrow Culture.
Shownotes: Carole Ann Gill is the author of Carole Ann, Sarah Roth wrote on Operation Focus, Hugh Wilford is the author of The Mighty Wurlitzer, Jelena Ćulibrk writes on IRD and Newsreels, Gary Lachman is the author of Beyond the Robot, Alfred Betschart writes on Sartre, Stefan Collini is the author of Absent Minds, Geoffrey Wheatcroft is the author of Absent Friends.
UK recording assistance from Hannah Uguru
Introducing a new ToE series Not All Propaganda is Art
In the 1950s the CIA weaponized culture to capture hearts and minds in Europe and Africa. We meet three writers (Richard Wright, Kenneth Tynan, and Dwight Macdonald) who got caught up in this battle both as collaborators and targets between the years of 1956 – 1960. We also meet a propagandist responsible for the CIA’s cinematic version of 1984 (Operation Big Brother) and “books that don’t smack of propaganda” aimed at European Intellectuals – including James Baldwin’s Notes of a Native Son.
Shownotes: Françoise Vergès is the author of A decolonial Feminism, James Campbell is the author of Paris Interzone and Talking at the Gates, Jelena Ćulibrk writes on IRD and Newsreels, Tony Shaw writes on British Cinema and the Cold War,
Support this show and get access to the exclusive companion series (audio footnotes!) by subscribing at https://theoryofeverything.supercast.com/, or subscribe directly in Apple Podcasts by hitting “Subscribe” right on the show page.
One of my favorite technology critics has just published a novel about Self Driving Cars (or fake Self Driving Cars). We talk about her new book, and the hidden human worker nestled in our technological revolution. I can’t recommend Wrong Way enough!
Note: The TOE limited series “Not all Art is Propaganda” will be debuting January 2024! I know its been a long wait, but we are nearing the finish line and I can’t wait to share it with you.
Today we live inside data systems that contain, surveil, and judge us. In his new book, the Hank Show, author and journalist McKenzie Funk provides us with a totally unique origin story of our world: A guy named Hank Asher. We talk with McKenzie Funk about the former Florida conto painter, drug-running pilot, alleged CIA asset, and pioneering computer programmer known as the father of data fusion.
McKenzie Funk has written many stories about the dangers of computer systems that can get us wrong, but the story of Hank Asher has turned him on to a danger even more alarming. What chance do we have when the computers know everything about us?
Note: The TOE limited series “Not all Art is Propaganda” will be debuting January 2024! I know its been a long wait, but we are nearing the finish line and I can’t wait to share it with you.
The life of musician Connie Converse easily reduces down to one of those Hemingway length sad stories: Before Dylan there was Connie Converse and then she disappeared.
In his new book “To Anyone Who Ever Asks: The Life, Music, and Mystery of Connie Converse” Howard Fishman gives us the complete tale. We meet up with Howard and learn why this incredible musician just couldn’t catch a break in 1950s New York City, and why he is devoted to her life and art.
